Thursday, November 10, 2011
When You Were Young
When you were young is a project that would be done to raise awareness to people who live in areas whose integrity has been compromised by their elected representatives, and subject to neglect. The concept would be to print huge pictures of representatives and hang them in expensive and elaborate frames that would show the public the people who exactly represents them. Instead of using pictures they used for campaigning, baby pictures or pictures of the representatives would be hung. This would be to show the public, who might have feelings of anger, that these people who once innocent children too.
One example of an area that has not been treated fairly:
http://tinyurl.com/6nagxav
My hope is that this project will reach people and encourage them to get more involved in the community so that they can make their community a better place, either by participating in voting, or by writing letters to their local representatives.
-Samantha Lynn Ramirez
Tuesday, November 8, 2011
Urban Picnic
My inspiration for the “Urban Picnic” project is doing things out of the ordinary. As a kid I’ve always loved two things profoundly 1. Picnics and 2. Astonishing City Views. You can always experience a nice view of the sky horizon or a combination of trees, lakes, trails, and the city (at times) at the park. Depending where you live. I like to combine both things together to fuse concepts and experience a new subgenre of activity an“Urban Picnic.”
My plan is to make an available space for 2-4 people. So, therefore if each piece of sod is 16in (1ft 4 in.) x 24 in (2ft) and the average female in the US is 5ft 4in and 5ft 9in for males, then a 10x5 piece of sods will make a perfect rectangle to fit about 2-4 people. Putting lights around the designated sod area is good for warning cyclists or even pedestrians that there is a designated piece
of land that is unleveled with the rest of the ground surrounding it. Have the main piece be in the Pedestrian bridge but have other locations in order to see the city in an array of angles. “Different angles, different point of views, different interpretations, different atmospheres, different feelings.” The piece that would be located on the Whole Foods rooftop would be to feel the urban feeling on top of a building.
Materials:
The Materials needed would be sods of grass. Portable lights to put around the sods for night lighting. Signs for area designated for picnicking.
Locations:
The Main Location will be the Lamar Pedestrian Bridge. With a Length of 32 ft. it and an infinite width (according to my sod measures)
Other Locations include:
The Whole Foods rooftop on (W. 6th street and Lamar)
Length is infinite and width for Whole Foods rooftop is infinite (according to my sod calculations)
Audience:
Mostly "Austinites", Food Lovers, Adventurous people. Food Lovers, Why? Because if you enjoy good food why not enjoy it in a good atmosphere? Adventurous people, Why? Because this concept about an "Urban Picnic" just expands in the idea of new adventures and explorations. Discovering a combination of ideas perhaps people never stopped and thought of.
Check out Urban Intervention Green Corner by Otto Karvonen and Jon Irigoyen!
Pure Imagination
"A little nonsense now and then is relished by the wisest men."
Keep Austin Weird...and Recyling
For my Public Art, I would like to propose recycling bins. While it is assumed everyone knows how to recycle (ie. Throw recyclable items into the bin), I want to make people want to recycle. By having the bins themselves attract the audience, it is my belief that these will encourage the action of recycling. Perhaps the trend will popularize by word of mouth as participants tell their friends or colleagues of a “cool place” to recycle. Something different I would like to incorporate is a meter or scale to give an incentive to the recycler. By this, I mean, for every item dropped into the proper reciprocal, the scale will increase towards a goal. For example, in the paper bin, the goal might be to save a tree and by recycling more and more paper, a tree will be saved.
I was inspired by seeing many efforts such as "More Art. Less Trash." to make artistic and visually appealing recycling bins to encourage people to recycle.
The location I wish to use is on 6th street and Congress Ave due to its high volume of people daily and the ability to be creative in keeping Austin “weird”. There is a bus stop on the southbound side I wish to utilize for the expectation that many people will either board or get off at this stop when spending time on 6th street. In order to capture the audience’s attention, the images I will use will be specific to Austin only. For these images, I wish to hire an artist who would have to compete with other local artists, and ultimately be decided by the people.
On the recycling bin designated for paper, I would like a portrait of Willie Nelson because of his importance to Austin.
For the glass, I want a portrait of bats because they have called Austin home for years, and the location is close to the Bat Bridge.
On the recycling bin designated for aluminum, I want a portrait of Leslie because everyone in Austin needs to know about him, and if they don’t know, then this could be a perfect opportunity to find out.
On the bottom of each bin, it will read “Keep Austin Weird”, and of course, the corresponding bins will be Keep- Willie, for his loyalty to Austin, Austin- Bats, because Austin is their home, and last, but not least, Weird- Leslie, for his contributions to Austin.
The materials I will use will be plastic. Plastic is what most recycling bins are made out of due to its ability to be almost 100% recyclable. In order to preserve the art and keep it authentic, I will place a shatter proof glass around all three bins as a whole, in order to protect the art while having the same visual aesthetic.
Gabryl
More Than Just A Bus Stop
Interchangeable panels on the sides, inside, and top of the seating areas could be canvases for these artists and give them the chance to have their art seen. Benches could also be transformed into amazing works of art given the materials of either steel or wood. Included with the art installation will be a short biography of the artist along with his or her contact information. The possibilities and usable materials are really endless, given the amount of talent found in this city. This art would not only be seen by bus users, but also practically everyone in Austin.
The bus stop on the intersection of Brazos and 6th Street is the perfect location for this project since it is in the heart of downtown Austin.
This project ends up benefitting a large percentage of Austin. Not only will it be an opportunity for an artist to display his or her work, but it also provides visual stimulation and appeal for an ordinary person going about their day.
-Sehaam Ahmed
Checkmate
After living in the on-campus apartments here at St. Edwards for nearly a semester, I came to one conclusion; they are extremely boring. After experiencing the intense drought from last summer, the apartments look even more depressing then they were the year before. I figured that this public art proposal project was an excellent way to do something about it.
Concrete Tree Art Proposal
Impervious cover: “is the amount of land cover in roads, buildings and parking lots, and turf grass cover in a watershed and can seriously impact biotic integrity in associated streams” (US EPA).
Impervious cover affects humans: can lead to rapid flooding and due to runoff water, can contaminate water supplies. Naturally, water would seep into the soil and the soil would act as a filter for the water as it moves its way into the watershed. Natural areas slow the flow of water during heavy rains and the absorption process takes in some of the excess water.
The City of Austin did a study over 10 years ago that included estimated percentages of impervious cover in different Austin settings. I am focusing on downtown and the study indicated that the coverage is around 60%. Austin’s has grown substantially since this study took place: more development means more impervious cover (http://www.crwr.utexas.edu/).
A study by the State of Virginia states that hundred year floods can double in likelihood by exceeding impervious cover levels over 30 percent and they state that 15 percent impervious is ideal to maintain a healthy watershed (http://www.dcr.virginia.gov/documents/lrDEImperviousCover.pdf).
Impervious cover also damages animals on land and in the water. The water can be unhealthy for drinking due to toxins from roads and sidewalks, including litter and oil.
This is harmful for animals that live in the water for similar reasons.
So, my inspiration is decreasing impervious cover through sustainable development that allows enough greenspace for a safe water supply for humans and animals.
Determining my Location:
My proposed public art centers on impervious cover and all its implications, so its site is very important. I need an urban site with a lot of new construction and very little greenspace. I want to place my “tree” on a small plot of grass along a sidewalk that Austinites frequent. Downtown will be ideal for this and the plot of grass needs to be flat.
Materials:
Concrete: 5 cu.Yds. $75yd x 5 = $375
Steel: 2 tons. $560ton x 2= $1120
Welder: $250hr= $20,000
Plans:
1. Get permission to use the space.
2. Buy materials.
3. Get a welder.
4. Make the tree. Approximately 18ft tall and 12 ft wide at it’s maximum. The trunk diameter should be between ¾’ and 1’.
The steel will be welded in the shape of the tree. I choose steel as a material because my research indicated it was strong enough to bear the weight of concrete. After the tree has been welded and bolted to the ground, concrete will coat it entirely. Last, the place will be placed.
Pit Bull Lover!
My art proposal was inspired by the event I attended this past weekend called the Texas Sized Pittie Pride to give a positive image of the dog's breed, the Pit Bull. This event was created by an association dedicated to this breed called Love-A-Bull. I was happy to attend this event because I am an animal lover myself. I agree on the fact that we can't blame and mistreat this breed for being mean. It is all about the responsibility of the owner. If a dog is mean it is not the fault of the dog but the owner. It doesn't have to do anything with the Pit Bull or any other breed of dogs. It all about the owner. What education he has been given to him so he is like that. STOP putting blame on the Pit Bull they are lovely!
Created by: Margaux Tavernier
Introducing America To The Americans
I am particularly interested in the photograph, the roll of the photograph in American society, and it's nature of representation. So when I considered how a photograph may be incorporated into a work of public art, I immediately thought of the photograph as a sort of mirror in which we as Americans may peer intimately into our own society.
This has been done before, though under much more dire situations. During the 1930s the U.S. Government began the Farm Security Administration as an effort to combat rural American poverty. They hired 15 renowned photographers to travel the midwest photographing the American families living within the notorious "dustbowl." What they produced was an intimate and sometimes harsh window into the lives of the average American farmer in the 1930s. These images changed the public's outlook on the topic and helped rally support for the government New Deal. Most importantly the work is a snap shot of what is was to be an American. I believe that the concept of being an American has changed drastically since then. Situations for some have become just as dire, and for others the American dream has become a desert mirage.
What I would like to accomplish would be a modern rendition of the F.S.A.'s photo work in the 1930s. I would like to produce a window into TRUE American life and culture in our modern day and age. When the F.S.A. hired their photographers they didn't have digital cameras and computers. In our generation of America, nearly every man, woman, and child knows how to generally work a camera. So what I've done is taken the communal "Netflix" business model and applied it to documentary photography. From a central location I would mail a film camera to an American household. This would be a special 35mm film camera that has had it's wind feature disabled. They would basically have ONE shot and ONE question to answer, with that single photo they may shoot anything they please, as long as it answers a single important question:
Hopefully in the end, there should be a great community portrait of what it means to be an American in a modern 2011 society. The final work should be presented in a gallery format, preferably in a government public space. The American people will be able to view a collection images produced by the people themselves. The images will not be dictated by major media corporations nor any sort of financial interests. It will simply be a visual representation of the current state of our nation.
Gabriel Sanchez
Calder's Garden
Materials:
The whole structure would be made of steel, including the "buckets," and would all be provided by manufactures. The "buckets" would be hung with steel cable so they stay in place and are not stolen. The garden below the structure would have flowers and plants typical from Austin. Therefore they will not suffer too much with the heat and with the small amount of water.
Location:
Regarding the location, I chose Zilker Park as the site for this work of art because it is a big and open space that receives a lot of people during the spring and summer seasons, which is when this work of art will be more noticed. So the audience for this work would be people running/jogging in the park and people hanging around, relaxing a little bit from the stressfull day of work. I also hope that poeple get some inspiration from this work of art. I hope people will stop and think about their water use and see that water is a scarce resource that we need to save for the future. This work of art will of course be a big structure, however, people may get inspired by it and create some smaller scale structures that they would use in their houses to give the used water another use.
Alex Bueno
EnLighting Forest
-Henry Ford